Inches
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The story opens with a tension-creating segment as Parker awakens from a dream, only to bind up his beefstick and pouch and unload himself, while Taylor soaps up in the shower and does his own thing. Taylor leaves for a working trip; he comes back at the end of the day feeling tired, but not too tired to get his bootie munched by Parker or have it crammed with hard meat. However, Parker's nightmares and dreads of his waning relationship embark to plague him; he cravings of Taylor languidly inhaling 3 strangers' peckers (and his brown-eye methodically plowed by an endless series of boners) and confronts his lover with his unfounded jealousy. Taylor determines to end their already stressful relationship; Parker retaliates by guzzling the manstick of a hitchhiker in his jeep. Later, the now-lonely Parker's prospects get finer once he succumbs to the sexual interests of a wild co-worker (Bob Blount). He ensues Blount to a sleazy bar where clients love backroom orgy to the pulsating hammer of Bad Femmes and Sunset People. Gang petting and anon cock-sucking abound. Following this, Parker determines to get to know Blount better. They go to a snowy mountain resort to have sex. Parker pouch Blount in a momentous plumb vignette in the snow and by the fireplace. As they drive off into the sunset, the couple determine to keep it ambiguous in terms of commitment. Highlights, too, include Parker humping a stud with his beefstick and pouch at the same time. This film is very powerful on screenplay and sentiment, and successfully recreates the glittering world of the masculine model: the pic sessions, the gallery openings, the cruisy bars, the artistic friends, and the glittery crowd. However, this overemphasis may not attractiveness to all.
The story opens with a tension-creating segment as Parker awakens from a dream, only to bind up his beefstick and pouch and unload himself, while Taylor soaps up in the shower and does his own thing. Taylor leaves for a working trip; he comes back at the end of the day feeling tired, but not too tired to get his bootie munched by Parker or have it crammed with hard meat. However, Parker's nightmares and dreads of his waning relationship embark to plague him; he cravings of Taylor languidly inhaling 3 strangers' peckers (and his brown-eye methodically plowed by an endless series of boners) and confronts his lover with his unfounded jealousy. Taylor determines to end their already stressful relationship; Parker retaliates by guzzling the manstick of a hitchhiker in his jeep. Later, the now-lonely Parker's prospects get finer once he succumbs to the sexual interests of a wild co-worker (Bob Blount). He ensues Blount to a sleazy bar where clients love backroom orgy to the pulsating hammer of Bad Femmes and Sunset People. Gang petting and anon cock-sucking abound. Following this, Parker determines to get to know Blount better. They go to a snowy mountain resort to have sex. Parker pouch Blount in a momentous plumb vignette in the snow and by the fireplace. As they drive off into the sunset, the couple determine to keep it ambiguous in terms of commitment. Highlights, too, include Parker humping a stud with his beefstick and pouch at the same time. This film is very powerful on screenplay and sentiment, and successfully recreates the glittering world of the masculine model: the pic sessions, the gallery openings, the cruisy bars, the artistic friends, and the glittery crowd. However, this overemphasis may not attractiveness to all.
Added: 2014-04-22 • Views: 11 • Duration: 1:9:08
Categories: Anal, Big Dick, Full Movie, Cum Eating, Daddies, Group Sex, Hairy, Shower • Models: Al Parker, Steve Taylor, Buck Stevens, Bob Blount, Max O'Sinsky, Carl Royce, David Sexon, Joe Roberts, Joe Shaunessy, Dan Noble, Greg Shaw
