Fred Halsted - Sextool
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The last of this liberate trilogy is Sextool. This is most likely the most sophisticated of Halsted's films, with radical narrative rolls and some of the — still — raunchiest sex episodes in all of non-amteur queer porn. Sextool features the director's trademark faceless machos: a pair of cops who shove their nightstick up a trick 's ass, and a gang of sweat-soaked gangbangers who whip, fuck, and knuckle a cornfed blond sailor on a bunk couch without a mattress. This episode offers a distillation of Halsted's world-view. The merciless manhandle of the tidily dressed, boyish, sweet-faced sailor is the director's most pointed assault on everything wholesome that he hated in postwar Yankee culture. The sailor-boy's ecstatic acceptance of his manhandle is Halsted's proof that the mindless "goodness" and optimism of the rising middle class well-deserved to be attacked, and he does it with gusto. Like the sailor, Joey Yale shows up as a too-willing bottom, eagerly embracing the authentic manhandle that the real Fred Halsted dishes out. Sadly, the culture wasn't as accommodating as Yale; these films were censored and linger difficult, and in the case of Sextool, virtually unlikely to witness (much less own) even today outside infrequent cinematheque and museum screenings. Audio #1: English 1.0ch AC-3 @ 192 kb/s (Mono) #2: English 1.0ch AC-3 @ 192 kb/s (Commentary by Elizabeth Purchell, K.J. Shepherd and Tyler Thomas)
The last of this liberate trilogy is Sextool. This is most likely the most sophisticated of Halsted's films, with radical narrative rolls and some of the — still — raunchiest sex episodes in all of non-amteur queer porn. Sextool features the director's trademark faceless machos: a pair of cops who shove their nightstick up a trick 's ass, and a gang of sweat-soaked gangbangers who whip, fuck, and knuckle a cornfed blond sailor on a bunk couch without a mattress. This episode offers a distillation of Halsted's world-view. The merciless manhandle of the tidily dressed, boyish, sweet-faced sailor is the director's most pointed assault on everything wholesome that he hated in postwar Yankee culture. The sailor-boy's ecstatic acceptance of his manhandle is Halsted's proof that the mindless "goodness" and optimism of the rising middle class well-deserved to be attacked, and he does it with gusto. Like the sailor, Joey Yale shows up as a too-willing bottom, eagerly embracing the authentic manhandle that the real Fred Halsted dishes out. Sadly, the culture wasn't as accommodating as Yale; these films were censored and linger difficult, and in the case of Sextool, virtually unlikely to witness (much less own) even today outside infrequent cinematheque and museum screenings. Audio #1: English 1.0ch AC-3 @ 192 kb/s (Mono) #2: English 1.0ch AC-3 @ 192 kb/s (Commentary by Elizabeth Purchell, K.J. Shepherd and Tyler Thomas)
Added: 2023-02-24 • Views: 17 • Duration: 1:1:07