Entry
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The mean, fierce shriek of police sirens rising and falling as they treatment and recede; the occasional popcorn popping of brunt rifles in the distance; the acute attacking bark and the chasing howl of search dogs on duty; the flogging whirl and dazzling struggles of the search helicopters; and the occasional whiff of cordite and rip gas borne on the night air. The sensory messages of a jail break. We had one here in California a couple of weeks ago. They are scary. This pull out is not about a jail break, however. It is about the pull out of a fresh 2000 flick with a jail setting. However, when you consider all the aspects of Entry, you may want to elevate a celebratory ruckus equal to all that noise above. They say that history repeats itself--that it's cyclical. It's an interesting thought. 10 years ago John Travis directed his first major production. The flash was Powertool and it brought us Jeff Stryker in his first starring role. The rest is undoubtedly history. Powertool became the most lucky flash in the history of gay adult video. Jeff Stryker became a megastar. And John and the flash took all the major awards. And 10 years afterwards the flash is still finding fresh audiences and selling as well as many fresh releases. That's history, however. Today's news is Entry, the recent major pull out from 2000. The setting is a prison. The director is John Travis. This time the starlet is Mr. 12+--Kevin Dean. History is about to repeat itself. With subject, director and star, screenwriter Tyler Adams has crafted an arousing and audacious story of ferocity and sexiness that will keep you up well into the night. The flash opens as Kevin and one of the trustees, Dean Johnson, discuss Kevin's fresh cellmate and the chances of this young, tastey and obviously harmless kid avoiding sexual disturbance while he is imprisoned--especially with guards like the hellion Mr. Jones around. We also get a chance to find out that Mr. Jones is as unpleasant as his reputation. Back in their cells, it's time for lights out. Kevin tries to tell the fresh kid, Boyfriend Saxon, that he's safe from harm in the cell. With what Kevin is carrying between his legs, he's one of the most well-liked boys in the jail --and gets all the action he wants. To give support to his story, Kevin lays back, takes out his monster and jerks it to its awesome fullness and release. Boyfriend is both infatuated and funked by Kevin's gigantic cock. In another cell, trustee/librarian Aiden Shaw and cellmate Sean Diamond share a joint and chat about the newcomer. When Jones' name comes up again, Sean gets all hyped up with his heavy hatred of the perverse guard. Aiden quiets him down with another joint--his own. It works wonders.

The mean, fierce shriek of police sirens rising and falling as they treatment and recede; the occasional popcorn popping of brunt rifles in the distance; the acute attacking bark and the chasing howl of search dogs on duty; the flogging whirl and dazzling struggles of the search helicopters; and the occasional whiff of cordite and rip gas borne on the night air. The sensory messages of a jail break. We had one here in California a couple of weeks ago. They are scary. This pull out is not about a jail break, however. It is about the pull out of a fresh 2000 flick with a jail setting. However, when you consider all the aspects of Entry, you may want to elevate a celebratory ruckus equal to all that noise above. They say that history repeats itself--that it's cyclical. It's an interesting thought. 10 years ago John Travis directed his first major production. The flash was Powertool and it brought us Jeff Stryker in his first starring role. The rest is undoubtedly history. Powertool became the most lucky flash in the history of gay adult video. Jeff Stryker became a megastar. And John and the flash took all the major awards. And 10 years afterwards the flash is still finding fresh audiences and selling as well as many fresh releases. That's history, however. Today's news is Entry, the recent major pull out from 2000. The setting is a prison. The director is John Travis. This time the starlet is Mr. 12+--Kevin Dean. History is about to repeat itself. With subject, director and star, screenwriter Tyler Adams has crafted an arousing and audacious story of ferocity and sexiness that will keep you up well into the night. The flash opens as Kevin and one of the trustees, Dean Johnson, discuss Kevin's fresh cellmate and the chances of this young, tastey and obviously harmless kid avoiding sexual disturbance while he is imprisoned--especially with guards like the hellion Mr. Jones around. We also get a chance to find out that Mr. Jones is as unpleasant as his reputation. Back in their cells, it's time for lights out. Kevin tries to tell the fresh kid, Boyfriend Saxon, that he's safe from harm in the cell. With what Kevin is carrying between his legs, he's one of the most well-liked boys in the jail --and gets all the action he wants. To give support to his story, Kevin lays back, takes out his monster and jerks it to its awesome fullness and release. Boyfriend is both infatuated and funked by Kevin's gigantic cock. In another cell, trustee/librarian Aiden Shaw and cellmate Sean Diamond share a joint and chat about the newcomer. When Jones' name comes up again, Sean gets all hyped up with his heavy hatred of the perverse guard. Aiden quiets him down with another joint--his own. It works wonders.
Added: 2015-02-26 • Views: 27 • Duration: 1:30:17