10-30 P.M. Monday

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A young dude loses himself in a bewildering labyrinth of leather, fisting, rest room play, and restrain bondage in 10:30 PM, one of the earliest and most influential experimental fag porn films. The story is non-linear and there is no dialogue; scenes cut abruptly, characters emerge and disappear, locales switch without warning. Some sets are dark and shadowed, others are stark white. Add a creepy a melodic soundtrack, trippy effects, and lots of Crisco-slathered hardcore action into the mix, and the result is an atmospheric, Hitchcockian mind fuck of a porn that is as disturbing as it is arousing. A mysterious vintage Spins Royce pulls into a driveway and whisks protagonist Jeff Sattler away to an aged stone mansion. The tall, bearded, sandy platinum-blonde approaches the building to investigate. Leisurely he enters, unsuspecting of the pleasures and perversities that lie within. A radial whirl transition effect a la Twilight Zone is used whenever Jeff finds himself a different spot in the house. Depending on your taste, the implement is a cheesy distraction from the dark mood of the chunk or a charming artifact of a more naive era of filmmaking. Either way, in narrative terms the effect is meant to suggest that events in the mansion might be taking place only in Jeff's head.