10:30 P M Monday

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A youthfull dude loses himself in a bewildering labyrinth of leather, fisting, toilet play, and restrain bondage in 10:30 PM, one of the earliest and most influential experimental homosexual pornography films. The story is non-linear and there is no dialogue; gigs cut abruptly, characters appear and disappear, locales switch without warning. Some sets are dark and shadowed, others are stark white. Add a creepy a melodic soundtrack, trippy effects, and lots of Crisco-slathered gonzo act into the mix, and the result is an atmospheric, Hitchcockian mind plumb of a porn that is as disturbing as it is arousing.A mysterious vintage Flips Royce pulls into a driveway and whisks protagonist Jeff Sattler away to an elder stone mansion. The tall, bearded, sandy ash-blonde approaches the house to investigate. Leisurely he enters, unaware of the enjoyments and perversities that lie within.A radial whirl transition effect a la Twilight Zone is used whenever Jeff finds himself a different spot in the house. Depending on your taste, the device is a cheesy distraction from the dark mood of the lump or a charming artifact of a more nave era of filmmaking. Either way, in narrative terms the effect is meant to offer that events in the mansion might be taking place only in Jeffs head.