Fellow Chat Devastating Films
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4 mechanics - Jay (Brandon Anderson), Mike (Roman Todd), Curtis (Justin Matthews), and Chris (Elliot Finn) - are working late one Friday night to complete their jobs for the week. Jay, the freshest and most introverted of the group, ambles into the foreground and fingers thru various contraptions before grabbing the wrench. ambling back, he uses it to tinker under the open latex hood of a car. You can sense a distance inbetween him and the others. Jay is closeted and senses highly uneasy around his crass and chauvinistic partners - notably if they were to catch wind of his sexuality. He chooses to just do his work and keep his profile low. A mechanic's light drapes from the open hood. Nearby, Mike is cleaning up, wiping a surface with a rag, while Curtis and Chris are conversing in a nearby break area, standing next to a table with a coffee machine on it as they sip coffee. There is one elderly stool next to the table and a smallish radio sits on the table, quietly frolicking rock-hard rock music in the background. Suddenly, Curtis remembers something and perks up, impatiently reminding the men that it's the first-ever of the month. trio of the men (everyone but Jay) whoop and wolf-whistle excitedly - as of yet, no one notices Jay's lack of excitement. The trio other mechanics go to a wall, where a calendar has been hung. The image showcases a hardly dressed woman in a pin-up pose. Jay remains behind to proceed working on the car. The men looking at the calendar mention that it's going to be rock-hard to top Miss November here, making lustful and tough comments about what a molten lump of bootie she was. They faux telling goodbye to her and proceed to make degrading comments. Jay can hear them while he works and can hardly contain his disgust. But, at the same time, he is also desperate to keep his secret and so he stings his tongue. Chris and Curtis notice that Jay hasn't joined them and call him out on it. Jay makes a powerless pretext about needing to complete thework on the car, but Chris and Curtis goad him into coming over, making fun him as they insist that a uber-cute pair of udders priority over work. Jay drinks rock-hard as he catapults down the latex hood of the car. He ambles over to the calendar as Chris and Curtis proceed to taunt Jay about not joining them right away.Mike shoots Jay a tenuous questioning glance, but no one - including Jay - seems to notice. Mike gives Jay a rock-hard time, and the men all seem shocked that Jay is talking back. There is a moment of stunned muffle before Chris and Curtis burst out laughing, commenting that maybe Jay is ultimately 'growing a pair.' Jay mocks along with them tentatively, seemingly The group cheers. They switch the subject to the fresh molten woman of the month on their calendar. Jay seems loosened that the spotlight is off him and subtly moves away from Mike.In what is obviously a monthly ritual, the men count down, whooping and hollering as their enlivenment builds. With eachnumber, they hoist the calendar page a bit, a slow reveal. When they reach the end of the countdown, they ultimately turn the calendar page to Miss December with a ample reveal, uncovering another poorly dressed woman. The men whoop and wolf-whistle.Jay joins in, but his enlivenment seems more muted and faux than his coworkers. Leering at the photo, trio of the 4 men (everyone but Jay) converse excitedly with outrageously tumultuous comments about the calendar. Now that the spotlight is off of him, Jay attempts to recede into the background, laughing at the boy's comments but telling nothing in an effort to fit in but not draw attention to himself. The men begin a lustful and crude interview - typical 'guy talk' about what they would do with/to Miss December, whichnaturally segues into a interview about their past sexual conquests with various nymphs and making joy of each other with jabs at their sausage size and sexual performance. As Chris, Mike, and Curtis share effortless banter, Jay chuckles along with them, but he doesn't suggest anything to the conversation. One of them - Curtis or Chris - calls Jay out on being quiet, mockingly praying him if he's a virgin. Jay seems a little jumpy at this question, but attempts to frost it up with a dismissive laugh. Jay seems nervous. But he has no other choice but to thrust forth now, so he tells the men a seemingly true story about the last time he encountered a woman during a night out, brought her home, and had sex with her.His story seems believable on a surface level, but does sense a little stilted and awkward. There are some highly smallish details that signify that something is off about what Jay is saying, such as using 'they'/'them' pronouns and avoiding using 'she'/'her' pronouns, not describing her figure in much detail, and similar. While Chris and Curtis don't seem to notice this - interacting and still taunting Jay throughout his story - Mike apparently catches on. He listens closely with a scrutinizing view as Jay speaks (althoughJay doesn't notice him watching), his eyes narrowed in skepticism. Finally, Mike's eyes expand ever-so-slightly, a conclusion apparently forming in his mind. As the story winds down, Jay seems anxious to get out of the conversation, insisting that he needs to get back to working on the car. Chris and Curtis say they were just about to take hold of dinner anyway, inviting Mike to join them. As Chris and Curtis walk out of the room, Mike - looking at Jay with a somewhat ominous glint in his eye - insists that he'll catch up with them - he just needs to take care of something first. Jay seems a little distracted, not paying attention to this exchange. He seems loosened to be out of the spotlight and anxious to jiggle things off. Getting onto his back on a mechanic's slider with a wrench in hand, he slides under the car. He tinkers for a moment before slipping back out to reach for another tool. When he does, he's startled to watch Mike looming over him, looking down. He yelps a bit in surprise, then chuckles nervously, remarking that Mike gave him a bit of a scare there. Mike isn't and he lets Jay know he's onto his secret. Jay looks as milky as a sheet, like a deer in the headlights. Fear and confusion cross his face. Jay still attempts to stammer denials but Mike cuts him off.Jay looks anguished and conflicted for another moment before his shoulders ultimately slump in defeat.He then heads on to lay it out for Jay - if the other men detect that Jay's gay, they'll make his life a living hell. But fortunately for Jay, Mike's the only one who knows... for now. And he promises to keep Jay's secret... IF Jay lets him fuck him.
4 mechanics - Jay (Brandon Anderson), Mike (Roman Todd), Curtis (Justin Matthews), and Chris (Elliot Finn) - are working late one Friday night to complete their jobs for the week. Jay, the freshest and most introverted of the group, ambles into the foreground and fingers thru various contraptions before grabbing the wrench. ambling back, he uses it to tinker under the open latex hood of a car. You can sense a distance inbetween him and the others. Jay is closeted and senses highly uneasy around his crass and chauvinistic partners - notably if they were to catch wind of his sexuality. He chooses to just do his work and keep his profile low. A mechanic's light drapes from the open hood. Nearby, Mike is cleaning up, wiping a surface with a rag, while Curtis and Chris are conversing in a nearby break area, standing next to a table with a coffee machine on it as they sip coffee. There is one elderly stool next to the table and a smallish radio sits on the table, quietly frolicking rock-hard rock music in the background. Suddenly, Curtis remembers something and perks up, impatiently reminding the men that it's the first-ever of the month. trio of the men (everyone but Jay) whoop and wolf-whistle excitedly - as of yet, no one notices Jay's lack of excitement. The trio other mechanics go to a wall, where a calendar has been hung. The image showcases a hardly dressed woman in a pin-up pose. Jay remains behind to proceed working on the car. The men looking at the calendar mention that it's going to be rock-hard to top Miss November here, making lustful and tough comments about what a molten lump of bootie she was. They faux telling goodbye to her and proceed to make degrading comments. Jay can hear them while he works and can hardly contain his disgust. But, at the same time, he is also desperate to keep his secret and so he stings his tongue. Chris and Curtis notice that Jay hasn't joined them and call him out on it. Jay makes a powerless pretext about needing to complete thework on the car, but Chris and Curtis goad him into coming over, making fun him as they insist that a uber-cute pair of udders priority over work. Jay drinks rock-hard as he catapults down the latex hood of the car. He ambles over to the calendar as Chris and Curtis proceed to taunt Jay about not joining them right away.Mike shoots Jay a tenuous questioning glance, but no one - including Jay - seems to notice. Mike gives Jay a rock-hard time, and the men all seem shocked that Jay is talking back. There is a moment of stunned muffle before Chris and Curtis burst out laughing, commenting that maybe Jay is ultimately 'growing a pair.' Jay mocks along with them tentatively, seemingly The group cheers. They switch the subject to the fresh molten woman of the month on their calendar. Jay seems loosened that the spotlight is off him and subtly moves away from Mike.In what is obviously a monthly ritual, the men count down, whooping and hollering as their enlivenment builds. With eachnumber, they hoist the calendar page a bit, a slow reveal. When they reach the end of the countdown, they ultimately turn the calendar page to Miss December with a ample reveal, uncovering another poorly dressed woman. The men whoop and wolf-whistle.Jay joins in, but his enlivenment seems more muted and faux than his coworkers. Leering at the photo, trio of the 4 men (everyone but Jay) converse excitedly with outrageously tumultuous comments about the calendar. Now that the spotlight is off of him, Jay attempts to recede into the background, laughing at the boy's comments but telling nothing in an effort to fit in but not draw attention to himself. The men begin a lustful and crude interview - typical 'guy talk' about what they would do with/to Miss December, whichnaturally segues into a interview about their past sexual conquests with various nymphs and making joy of each other with jabs at their sausage size and sexual performance. As Chris, Mike, and Curtis share effortless banter, Jay chuckles along with them, but he doesn't suggest anything to the conversation. One of them - Curtis or Chris - calls Jay out on being quiet, mockingly praying him if he's a virgin. Jay seems a little jumpy at this question, but attempts to frost it up with a dismissive laugh. Jay seems nervous. But he has no other choice but to thrust forth now, so he tells the men a seemingly true story about the last time he encountered a woman during a night out, brought her home, and had sex with her.His story seems believable on a surface level, but does sense a little stilted and awkward. There are some highly smallish details that signify that something is off about what Jay is saying, such as using 'they'/'them' pronouns and avoiding using 'she'/'her' pronouns, not describing her figure in much detail, and similar. While Chris and Curtis don't seem to notice this - interacting and still taunting Jay throughout his story - Mike apparently catches on. He listens closely with a scrutinizing view as Jay speaks (althoughJay doesn't notice him watching), his eyes narrowed in skepticism. Finally, Mike's eyes expand ever-so-slightly, a conclusion apparently forming in his mind. As the story winds down, Jay seems anxious to get out of the conversation, insisting that he needs to get back to working on the car. Chris and Curtis say they were just about to take hold of dinner anyway, inviting Mike to join them. As Chris and Curtis walk out of the room, Mike - looking at Jay with a somewhat ominous glint in his eye - insists that he'll catch up with them - he just needs to take care of something first. Jay seems a little distracted, not paying attention to this exchange. He seems loosened to be out of the spotlight and anxious to jiggle things off. Getting onto his back on a mechanic's slider with a wrench in hand, he slides under the car. He tinkers for a moment before slipping back out to reach for another tool. When he does, he's startled to watch Mike looming over him, looking down. He yelps a bit in surprise, then chuckles nervously, remarking that Mike gave him a bit of a scare there. Mike isn't and he lets Jay know he's onto his secret. Jay looks as milky as a sheet, like a deer in the headlights. Fear and confusion cross his face. Jay still attempts to stammer denials but Mike cuts him off.Jay looks anguished and conflicted for another moment before his shoulders ultimately slump in defeat.He then heads on to lay it out for Jay - if the other men detect that Jay's gay, they'll make his life a living hell. But fortunately for Jay, Mike's the only one who knows... for now. And he promises to keep Jay's secret... IF Jay lets him fuck him.
Added: 2023-05-11 • Views: 21 • Duration: 37:36
Categories: Anal, Bareback, Big Dick, Blonde, Blowjob, Brunette, Cum Eating, Cumshot, Facial, Group Sex, Handjob, Hardcore, Hunks, Jocks, Masturbation, Old Man, Rough, Small Cocks, Tattoos, Uniform • Studio: Disruptive Films • Models: Roman Todd, Brandon Anderson